Activating Democratic Practice:

My Reaction to Archival Work at Keene State College and Working with Aspect Magazine

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How fitting and ironic it was to work in the Keene State College Archives. Fitting because an archive itself is an object of democracy. An archive is a collection of historical documents and records, many of those primary sources, that provide differing accounts of the world. Archives are democratic because they are available to the public. Due to the sacristy of the materials in these archives they may be carefully protected, but rather than being thrown away or kept hidden, the materials in archives are open for individuals to explore, dissect, and interpret. What archives hold are proof of various cultural aspects of society throughout time. The work of Dewey, Rich, Whitman, De Toqueville, and the speeches of Williams and Emerson all express that the reading and re-reading of literature, art, and academic works, is imperative to democracy, and the archives provide us with a direct channel to practice it. Ironically, as a third year dweller of this campus and someone who believes wholly in the idea that in order for democracy to function positively we must all be active participants, I was ashamed to find myself in the KSC archives for the first very time.

That leading step into the room excited my senses. I was reminded of my own experiences as a child exploring libraries and office buildings as the scent of ancient dusty paper filled my nose. In the room I could feel my own history and all the history beyond. Immediately I found myself intrigued, wanting to awash myself with every one of the thousands of first-hand accounts from individuals throughout history, those who had maybe stepped foot on the same fields I walk today, or those who caused larger ripples in society in their time. I knew that it was in this room where I could practice democracy with passion, as Terry Tempest Williams asks all scholars to do in her commencement speech “The Open Space of Democracy”  Hearing from the archivists Rodney and Zach about what our archives at KSC held within its walls I could feel an elephant taking up the small space. I wonder if my fellow students felt this. Were others also ashamed that they had not visited the archives, knowing with almost certainty that our peers also had not done so? Were we all reminded of past projects and papers where, if we had taken advantage of this incredibly valuable tool that is right at our fingertips, we could have created much more productive work? Might we have been able to practice democracy more responsibly? I was flooded with the knowledge that I should occupy this space more often in a show of gratitude for my college, for the increasingly available tools like these that can be found all around us in this technological era, that encourage the citizens of America to be more active participants in democracy. Archives give us a straight route to countless sources such as Aspect Magazine, but yet so many of us choose not to participate in the exploration of these sources. Can we truly call ourselves players in creative democracy?

Rather than dwelling, I thought it more useful start making up for these missed opportunities, to thank Rodney and Zach and Professor Long by diving into this archival work, democratic work, and commentating on Aspect Magazine. I wanted now to exercise my right to democracy by developing descriptions of specific issues of the insightful work of Aspect Magazine to be published for others to access for years to come.

Ed Hogan, in creating Aspect, this “little magazine” (magazines usually noncommercial in nature and often committed to certain literary ideals) truly performed an act of creative democracy. The poems, essays, political commentary, and artwork from various unique authors and artists during a specific time period truly brings you into their world. The work of so many who wanted to share art and education is an example of free speech, of the collaborative practice of progressive democracy. What better way is there to investigate American culture, to be able to feel the experiences of others who participated in our democratic society? Reading the poetry felt like reading Adrienne Rich. The experience of reading the experiences of others felt like that ongoing connection that Dewey wants us to recognize. It is connecting experience to social activism. Aspect Magazine is such a hidden gem in the world of art, of democracy, of literature, that if recognized today, can deepen cultural understanding and incentivize others to create anything with similar positive impact.

The issue of Aspect magazine I worked with, and the legacy of it’s creator, Ed Hogan, as an individual as described by so many of those whom he has touched in “Remembering Ed Hogan” (1998), provides me with an archetype of what it looks like to be an individual who makes good use of democracy. Aspect beautifully combines artwork and scholarly work. Not only does this attract a wider array of viewers, assessing the world through academia and art allows for two versions of “truth” to be shared, both holding incredible weight in our understanding of culture, society, history. As Emerson expresses in American Scholar, and similarly to how a fellow classmate of mine, Nick Sharek evaluated Emerson’s piece in his response to it “Creative Scholars” (2017), scholarly work produces factual, historical truth that is researched and defended and art produces an emotional truth, just as important, that may be described as “the truth of the day” (1837). I think too often we separate these two truths, but truly practicing democracy requires, as Dewey would describe in chapter 3 of Art and Experience, “Having an Experience” an esthetic experience, one that involves both personal emotion but is also connected to past and future experiences of yourself and others, to make the experience practical in the progression of the rest of the world. The ability of Aspect to bring readers to experience artwork and scholarly work simultaneously allows the reader to have an esthetic experience.* This, for me, is what makes Aspect so impressive. Although I attempt in the writing of my blog and in my philosophy of teaching to provide for this type of experience, I have hopes of one day cultivating such a project as Hogan; something that is public and accessible to so many, something that allows one to experience art and academia together. Providing more individuals with this opportunity, to my thinking, will cause more people to practice democracy in an effective way.

*For more information and thoughts on esthetic experiences, look to my previous post “Experience and Constructivism in Education” that discusses some of Dewey’s work.

Sources

Hogan, Edward J. ;Link, Ellen; Kistner, M.K.; Black, Lawrence; Anderson, Sally S.; Dominguez, Paul; Schalit, Robert; Porter, Ed; Hahn, John; Hamilton, Fritz; Sanford, Geraldine; Latta, Richard; Combellick, Henry; Zar, Rubin; Nasta, Anthony P.; Ward, Lynd; and McTernan (Student Commentator), Kerrin, “Aspect Magazine vol. 8, issue 46-7, December-January, 1972-3” (1972-3). Aspect Magazine. 

https://drive.google.com/drive/u/0/folders/0BzA66xFH3zcCQzJtdFZnbjdjc3M

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In Consequence of Literature:

I Become The American Scholar, The Poet.

The american scholar inherently understands there is no end. May this knowledge be both the devil and the angel on their shoulder.

For the instinct of the american scholar is to experience all, evaluate old, and create new. Emerson himself said, “The American scholar grudges every opportunity of action past by, as a loss of power.”

The visceral american scholar will find themselves with an intimate knowledge of society that compounded can incite such a distaste they may be derailed from their pursuance of purpose.

The Poetry

So interrogative of society, it is overwhelming.

I am hamstrung.

Struggling as I read through the commencement speeches of Emerson and Terry Tempest Williams.

Several samples committed to me immense stimulation.

Awash in the questions that do, indeed, Williams, keep me awake at night.

In reading these I am thrown into my life’s work.

But for homework, I must write.

So, yes, Emerson, here I am reading with the intention to write.

And yes, Emerson, as I am “braced by labor and invention” the words I read carry much more weight.

I read here of american scholars.

And here, I identify.

The world of any moment is the merest appearance. Some great decorum, some fetish of a government, some ephemeral trade, or war, or man, is cried up by half mankind and cried down by the other half, as if all depended on this particular up or down. The odds are that the whole question is not worth the poorest thought which the scholar has lost in listening to the controversy… In silence, in steadiness, in severe abstraction, let him hold by himself; add observation to observation, patient of neglect, patient of reproach; and bide his own time, — happy enough, if he can satisfy himself alone, that this day he has seen something truly. Success treads on every right step. For the instinct is sure, that prompts him to tell his brother what he thinks. He then learns, that in going down into the secrets of his own mind, he has descended into the secrets of all minds.  (American Scholar 1837)

You were not interested in ideas or language that polarized people: Christianity vs. Islam; Republicans vs. Democrats; wilderness vs. development. You wanted to talk about alternatives, solutions, how to speak a language that opens hearts rather than closes them. You were acutely aware of the complexities and hesitant to take sides before considering all the evidence before you… an educated mind is an empathetic mind. (University of Utah 2003 Commencement Address by Terry Tempest Williams)

In these speeches I come upon solace.

Meanwhile the embers of my being stirred.

I am the American Scholar.

The scholar of Emerson.

Of Williams.

And I am white middle class woman.

In 2017,

Not 1837,

Not 2003.

But still, these words inspire.

In darkness, an epiphany.

And when things don’t go as planned, patience and perseverance are required. Trust. Stay open. Suddenly, a surprise appears. Something you never could have imagined. (University of Utah 2003 Commencement Address by Terry Tempest Williams)

These convocation speeches, a remedy.

So much of the literature I read, remedies.

Because these words are emblematic of who I am.

I am american scholar.

I am philosopher.

And educator.

And historian.

And activist.

And empath.

I am responsive citizen, Williams.

I am Man Thinking, Emerson.

Emerson,

Is it true?

Shall it be upon us intellectuals to continue to read; to be inspired?

To write; create?

And will I contribute to the next chapter of the American Scholar’s biography?

Or to the next celebration for the survival of literature?

Yes, Williams, something in me has been set in motion.

No, there is no end for the american academic, what an encumbrance!

But there are infinite new beginnings.

And yes, Williams, this is the gift of education.

Sources

“The American scholar – The Complete Works of Ralph Waldo Emerson.” Complete Works of RWE. The Complete Works of Ralph Waldo Emerson – RWE.org, 19 Dec. 2004. Web. Feb. 2017. http://www.rwe.org/the-american-scholar/

“University of Utah 2003 commencement address by Terry Tempest Williams.” archive.unews.utah.edu. 2003. Web. Feb. 2017. http://archive.unews.utah.edu/news_releases/university-of-utah-2003-commencement-address-by-terry-tempest-williams/


Whitman on Women:

Literature and Democracy.

In the work On Democracy Robert Dahl ponders the logic of democracy. Why is equality, the foundation of American democracy, so difficult in process?

A system of government inevitably rears with it a system of hegemony. Hegemony is the power or dominance that one social group holds over others. The structure of authority and exercise of social power relies heavily on ideological influence from hegemonic powers. Throughout most of this post, I will be referring to hegemony as the power that American government, big business, and mass media combined hold over all other diverse social institutions and groups in America, in particular, women. That being said, anything that affects women effects others as well. Laws and regulations lie within our social institutions, in our government, that dehumanize targeted individuals. Hegemony maintains its power through our internalization of these laws and representations of society, implications of what our identities should be. (Lull)

This hegemony was present at the time of Walt Whitman’s Democratic Vistas.

The American Feminist Movement gained momentum in the 1850’s with conventions breeding mass-petitions held in states where feminists were loud; New York, Indiana, Ohio, and Massachusetts. While certainly operative in their efforts, there being unprecedented circulation of critical topics such as women’s education, women’s rights going through divorce, property rights, and women’s suffrage, strict gender roles interrupted their progress. Women were not afforded suffrage rights until nearly 70 years later, and even then, only white women gained these rights. Much like it does today, mass media during the Feminist Movement upheld stereotypical ideologies. Today, if we take a look at the industry of music videos we can easily identify the ideology of women’s sexualization, like we see here and here. Everyone certainly internalizes these images, men learn to see women as sexual objects and women learn that their value is determined by their sexuality. However you can observe in your everyday life women defined by much more than their sexuality, although I have had a fair share of personal experience with objectification, I know at least that my value as a student is not measured by my sexuality, and that not all the men who surround me see me as a sexual object. Still, music videos today perpetuate ideologies that misrepresent our entire society and its nearly impossible not to internalize some of these messages.

Fredrick Grimke asserts that tabloids during the 1850’s Feminist Movement misrepresented the movement by including stereotypical depictions of the ‘feminist’ woman who believed, according to these deceitful tabloids, “women should participate in “men’s” occupations not only to the same extent but with complete similarity of workplace lifestyle, social customs, and behavior.” The widespread publicity given to this movement was most often a falsified publicity. Women’s oppression persisted through antebellum America and into the Civil War despite mid-century reform of white women’s property rights. In this time, hegemony was most ubiquitous in the institution of marriage. This relationship between man and woman was predominately patriarchal. Laura C. Holloway, in 1871, spoke for women’s rights against the federal government in a weekly women’s rights newspaper, The Revolution, and stated the common experience of women at the time:

The immense majority of women are engaged in the same round of simple, but incessant domestic occupations; are separated from each other, and never come together in bodies to discuss their condition, or do anything to make their lives brighter, or to dignify existence, and render it something more than laboring machinery. (Holloway in Thomas)

Government policy undoubtedly manipulated these marriages in the way of influencing rigid gender roles. (Françoise)

So in this democratic republic, where a majority of individuals participated in peaceful practices to exercise their right to free speech and demand additional freedoms, hegemonic practices of federal government and mass media played a larger part in structuring ideologies than the masses.

Equality is so difficult in process in part because democracy breeds hegemony, subsequently producing inequality.

Walt Whitman, in his ambiguous piece “Democratic Vistas” plays both a victim of hegemony as well as an exemplar of counter-hegemony. In many ways, the thought process in this work reveals Whitman as ahead of his time.

For my part, I would alarm and caution even the political and business reader, and to the utmost extent, against the prevailing delusion that the establishment of free political institutions, and plentiful intellectual smartness, with general good order, physical plenty, industry, &c., (desirable and precious advantages as they all are,) do, of themselves, determine and yield to our experiment of democracy the fruitage of success. With such advantages at present fully, or almost fully, possess’d — the Union just issued, victorious, from the struggle with the only foes it need ever fear, (namely, those within itself, the interior ones,) and with unprecedented materialistic advancement — society, in these States, is canker’d, crude, superstitious, and rotten. Political, or law-made society is, and private, or voluntary society, is also. In any vigor, the element of the moral conscience, the most important, the verteber to State or man, seems to me either entirely lacking, or seriously enfeebled or ungrown. 

 The depravity of the business classes of our country is not less than has been supposed, but infinitely greater. The official services of America, national, state, and municipal, in all their branches and departments, except the judiciary, are saturated in corruption, bribery, falsehood, mal-administration; and the judiciary is tainted. The great cities reek with respectable as much as non-respectable robbery and scoundrelism. In fashionable life, flippancy, tepid amours, weak infidelism, small aims, or no aims at all, only to kill time. In business, (this all-devouring modern word, business,) the one sole object is, by any means, pecuniary gain. The magician’s serpent in the fable ate up all the other serpents; and money-making is our magician’s serpent, remaining to-day sole master of the field.

Here, Whitman, unlike many others throughout time, meditated all aspects of American democracy, offering his critiques punitively while also impressively upholding a particular sense of nationalism. He rebuked the hegemonic actions of these institutions, and in an act of counter-hegemony, asked the majority, the artists, the commons people, all men, to create a stronger power to unify themselves against the leading hegemonic powers. In this way Whitman was a revolutionary and a constructivist. A constructivist is aware of the ideologies that have been in place, yet questions them, in order to create new ideas which do not do away with the old ones completely, but rather maintain whatever value they see that exists within the previously held popular ideas and create more value by adding new thoughts and methods to test out new ideologies.  Whitman wanted to contemplate what was and attempt to preserve the value of tradition but also use his experiences to imagine a more idealistic future.

Still, Whitman’s luxuriously brave declarations inexorably lead to contradiction.

Whitman is justifiably duped by hegemony. Hegemony is not a direct stimulation of thought or action but a framing of all competing definitions of reality. (Lull) To an extent, everyone who works under a hegemonic dominance will not be able to escape it simply because hegemony gains and retains its power by creating a false reality.

Whitman knows very well the true meaning of equality, as he states it in this piece, “and with equal rights guaranteed to even the poorest and humblest of our forty millions of peopleAnd yes, Whitman’s proposals to American women arguably took a progressive tone.

Democracy, in silence, biding its time, ponders its own ideals, not of literature and art only — not of men only, but of women. The idea of the women of America, (extricated from this daze, this fossil and unhealthy air which hangs about the word lady,) develop’d, raised to become the robust equals, workers, and, it may be, even practical and political deciders with the men — greater than man, we may admit, through their divine maternity, always their towering, emblematical attribute — but great, at any rate, as man, in all departments; or, rather, capable of being so, soon as they realize it, and can bring themselves to give up toys and fictions, and launch forth, as men do, amid real, independent, stormy life.

However, Whitman was by no means the first or the most radical in the feminist movement. Echoing the chief ideology of gender roles and femininity, a woman was only humanized under the condition that they are maternal, negating his previous definition of equality. And the only thing of value that set women apart from men was maternity, but in all other spheres they would be best off trying to imitate men.  Again, here:

But a literature underlying life, religious, consistent with science, handling the elements and forces with competent power, teaching and training men — and, as perhaps the most precious of its results, achieving the entire redemption of woman out of these incredible holds and webs of silliness, millinery, and every kind of dyspeptic depletion — and thus insuring to the States a strong and sweet Female Race, a race of perfect Mothers — is what is needed.

Many spectators of Whitman’s work, like Vivian Pollack, author of The Erotic Whitman, who sought to analyze Whitman as a respondent of his time, similarly determined, “I see Whitman as having internalized the fierce antagonisms of his age and as fighting himself, among others, to create a more authentically “friendly” nature.” In the same piece, under a section titled “In Loftiest Spheres” Pollack accurately summarizes the intersection of Whitman’s feminist and anti-feminist proclamations.

…Whitman’s disruption of his claims to empower women by situating them in social roles in which they are always poten-tially subordinated to men.[1] For complex personal and cultural reasons, Whitman tended to collapse the many possibilities contained in the word “Woman” into the single word “Mother,” and then to extol the preemi-nence of maternal work over other contributions that women might make to culture, especially those that depend on self-determining thought and self-determining language. As we have seen, the erotic idiom of Leaves of Grass is rich and varied, but the idea of motherhood typically suggests a positive identity to the poet who resists “anything better than [his] own diversity” and who “moisten[s] the roots of all that has grown” (LG 1855, pp. 41, 46). I will argue that however necessary the figure of the good mother-muse was to Whitman’s “scattering” psyche, for women readers this motherist function can be oppressive as well as empower-ing.[2]Consequently…his resistance to linguistically totalizing norms and his reaffirmation of the mid-nineteenth-century American cult of the mother, which celebrated maternity as any woman’s supreme destiny and which, to a significant degree, depended on a code of silence about the unloftiness of the lives many women were living. The tension between Whit-man’s embrace of the new (for example, the fully audible female voice) and his embrace of the old (for example, the institution and practice of idealizing maternity as a depoliticizing, universalizing trope) has, I be-lieve, interpretative power for other vexed issues in Whitman’s poetry, all of them having to do with his ambivalence toward the cultural changes that he himself was helping to inaugurate.

This inspection is not to devalue the work of Whitman, for, as examined, it is a rarity that an individual recognizes, and even more atypical for them to antagonize, the hegemony that indisputably constructs portions of their identity.

But is it not often found in literature, the grappling’s with internal struggle, the recognition of the matters that define a particular moment in time?

And although frequently tainted by some illogicality, still, these intimate and critical essays are exactly what democracy should look like.

Sources

Dahl, Robert A. On Democracy. New Haven: Yale University Press, 1998. Web.

Françoise, Basch. “Women’s Rights and the Wrongs of Marriage in Mid-Nineteenth- Century America.” Hist Workshop J. 1986; 22 (1): 18-40. doi: 10.1093/hwj/22.1.18. https://academic.oup.com/hwj/article-abstract/22/1/18/620238/Women-s-Rights-and-the-Wrongs-of-Marriage-in-Mid?redirectedFrom=PDF

Grimke, Frederick. “Free Institutions 2d: On Women’s Rights – An Awkward   Silence.” The Rights of Women in a Democratic Republic: A Modern Edition, Introduced with Commentary by Donald F. Melhorn Jr. Archway Publishing, 2016. Print.

Lull, James. “Hegemony,” in Gender, Race, and Class in Media. Edited by Gail Dines and Jean Humez, 61-63. Thousand Oaks, CA: Sage Press, 2003. Web. https://keene.instructure.com/courses/593807/files/45330858?module_item_id=10940780

Pollak, Vivian R. The Erotic Whitman. Berkely, CA: University of California Press, 2000. http://publishing.cdlib.org/ucpressebooks/view?docId=kt067nc4vr&brand=ucpress

Thomas, JD. “Women and Their Work in 1871” Malvern, PA: Accessible Archives Inc, 2017. Web. http://www.accessible-archives.com/2016/03/women-and-their-work-in-1871/

Whitman, Walt. Ed. Justin Kaplan. Democratic Vistas: Complete Poetry and Collected Prose. New York: Literary Classics of the United States, 1982. Web. http://xroads.virginia.edu/~hyper/whitman/vistas/vistas.html